林明贤艺术简历：男，1947年出生于海南省文昌市，解甲执鞭30多年，曾在南京艺术学院深造，毕业于北师大继续教育学院。原文昌宋庆龄书画院院长，现中国万里行书画协会研究员，海南省艺术家促进会副会长，中国互联网联盟艺术总监等职。
Resume of Lin Mingxian's Art: Male, born in 1947 in Wenchang City, Hainan Province, Xie Jiazhi took over 30 years, studied in Nanjing Art Institute and graduated from the Institute of Continuing Education of Beijing Normal University. Former president of Wenchang Soong Ching Ling Painting and Calligraphy Institute, now artistic director of China Internet Alliance, and now vice president of Hainan Artists Promotion Association.
“墨色无为心有象”——初识林明贤老师的画，当时涌出了这样一个感觉。似乎他可以在任何一块偶然的墨中，去发现美的意像。所以有一句话说的好：美到处都有，缺少的是发现美的眼睛。如果作品为“人爵”，对美的敏感就属于“天爵”层次了。我觉得，林明贤老师对美的感觉已达到无为心有象的高度了。
看林明贤老师的画远近都美，相信在时间跨度上也是一枝独秀。他居住海南岛，把一方海岛椰林、远海近涛表现得淋漓尽致。在他的风景中，墨色无形，只是大片的空灵之美。但如果他把边上点几只渔舟，它就成了大海（见其作品：春江潮水连海平）；点上一片椰林，它就显为空山（见其作品：夜雨连明春水生）；如果信手描几只热带红鸟，它就是一块岩石（见其作品：鸟噪丰年）；如果再在这片空灵之墨中画一片村庄，它就是包裹桃源的一片梦景（见其作品：笔简意浓）。有大美在心，随处皆景，这就是庄子的景界。可能林明贤在理论上没有感觉到，但在笔心墨魂上他已超然了。
林明贤的作品，通过他熟谙的海岛风貌，向世人展示出一种纯粹的美。从烦躁的尘世中回归，躲进他那片清凉咸味的海浪里；或者窝居舟棚任一苇飘流，把尘世人海中的孤独幻化为一种遗世之美，从世俗升化到圣洁，我们失落的心是不是有了一丝梵音的依赖呢？这就是林明贤艺术的大美之极。它的作品不是纯粹的感观阶层的美，如果你是有悟之人，在书房挂一幅他的画，相信你的灵魂会被它的美施洗得灵珑剔透，进入一种华枝春满、天心月圆的洁净自觉。你会惊讶：我在尘世的另一边，还会有这么一个纯美的灵魂？——这，就是林明贤作品大美的真正所在。
收藏林明贤的一幅水墨作品，是不是比收藏一栋豪宅更有价值？豪宅只属于我们短短的有生之年，林明贤的艺术属于我们身内身外的整个空间，直至那灵魂的去处。
开篇时用了一句："墨色无为心有象。”最后的总结应了这句：“大美之处听梵音。”
——姜丰川
"Mo Se Wu Xin You Xiang"-When I first met Mr. Lin Mingxian's painting, I felt this way. It seems that he can find beautiful images in any accidental ink. So there is a good saying: beauty is everywhere, what is missing is the eyes to find beauty. If the work is "peerage", the sensitivity to beauty belongs to "peerage". In my opinion, teacher Lin Mingxian's sense of beauty has reached the height of being indifferent. Looking at Mr. Lin Mingxian's paintings, both near and far, I believe they are unique in time span. He lives in Hainan Island and shows off the coconut trees on one side of the island and the distant sea and the near sea. In his scenery, the ink color is invisible, just a vast expanse of ethereal beauty. But if he points a few fishing boats at the edge, it will become the sea (see his work: Chunjiang Tide Lian Haiping); Point on a piece of coconut forest and it will appear as an empty mountain (see its work: rain at night and water in spring). If Shinji paints a few tropical Hong Niao, it is a rock (see his work: Birds in High Year); If you draw a village in this empty ink, it is a dream scene that wraps up Taoyuan (see its works: the pen is concise and strong). There is great beauty in mind and scenery everywhere. This is Zhuangzi's scenery world. Perhaps Lin Mingxian did not feel it in theory, but he was detached from it. Lin Mingxian's works show the world a pure beauty through his familiar island features. Returning from the fidgety world, hiding in his cool salty sea waves; Or do we have a little Sanskrit dependence on our lost heart when we wander in the boat shed and transform the loneliness in the world into a kind of beauty left behind, from worldly to holy? This is the great beauty of Lin Mingxian's art. His works are not pure perception of the beauty of the class. If you are an enlightened person, hang a picture of him in your study, believing that your soul will be baptized with its beauty and become exquisitely carved, and enter a kind of clean consciousness with full spring and full moon. You will be surprised: I am on the other side of the world, there will be such a pure and beautiful soul? -This is the real beauty of Lin Mingxian's works. Is it more valuable to collect an ink painting by Lin Mingxian than to collect a mansion? Luxury houses only belong to our short life span. The art of Lin Mingxian belongs to the whole space inside and outside us, up to the place where the soul goes. At the beginning, he used the following sentence: "ink color has nothing to do with the mind and has an image." "The final conclusion should be this sentence:" The great beauty lies in listening to Sanskrit. " -Jiang Fengchuan
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