冯相成抽象艺术沙龙展与藏家品鉴会
【主办】
澳大利亚多元事务委员会
澳大利亚多元艺术基金会
【承办】
冯相成艺术中心
苏州梵融美术馆
【协办】
希茜的后花园画廊
【展出地点】
中国 苏州
梵融美术馆
苏州市通园路80号56文创园
【展出时间】
2020年7月18日——7月28日
【开幕酒会】
2020年7月18日晚7点 特邀VIP藏家
【公众开放日】
2020年7月19日—7月28日上午9点至下午5点
FENG Xiangcheng's Abstract Art Salon and Collectors' Appreciation
Organizer
Australian Multicultural Business Council
Australian Multi-Arts Foundation
Undertaker
Art Centre of Xiangcheng FENG
Fanrong Art Museum
Co-organizer
Sissi’s Back Garden Art Gallery
Location
Fanrong Art Museum
56 Cultural and Creative Park, No.80, Tongyuan Road, Industrial Zone, Suzhou, China
Duration
July 18th-28th, 2020
Opening Reception
7pm July 18th, 2020
Only VIP Collectors Invited
Public Days
9am-5pm, July 19th-28th, 2020
冯相成《生命之痕》系列展
前言
《生命之痕》系列是冯相成先生从事艺术创作的蝶变作品展。作为一个海外艺术家，获得了不同于国内艺术家的视野，发现了不同地域的文化特色，他用颜色和线条记录那些不同的符号，并感受万物之灵给绘画带来的变化，用自然营养震撼着画面。在长期的摸索中，找到了属于他的抽象艺术。
抽象画艺术是一种哲学，这种哲学思想到底是什么？其实很简单，我们的祖先早己总结出阴阳五行学说的伟大哲学思想：无极生有极。五行中的五种元素及颜色相生相克，将无极的世界达到了缤纷色彩的平衡，给人一种美的享受。纵观国内外许多优秀的艺术家，无一不是这一理论的最好实践者。而冯相成先生在当今的年青艺术家中也是这一理论的优秀实践者。
《生命之痕》应用了中国道家＂水＂生万物是生命之本的思想，即＂无为而为＂的理论，採用符号色彩表达天地万物，揭示生命的起源。这种感觉只存在于画家的内心深处，用常人无法看到的东西，展示生命发展的痕迹。给人们带来美的享受与似曾相识的感觉。在艺术上超越了写实主义到达了更高的境界。
在当今欧美当代抽象艺术体系影响了现今中国艺术创作的途径和思路之时，《生命之痕》即体现了西方当代这一特征，但更多的是融入了许多中国元素，用中国式的颜色符号，形成了一种独具匠心的艺术风格。因此在世界范围内具备了收藏的价值。
最后，真诚的希望冯相成先生在未来的艺术生涯中创造出更好的作品。预祝在苏州举办的《生命之痕》系列画展圆满成功。
胡印夏 （主席）
澳大利亚多元文化事务委员会
Feng Xiangcheng's "Trace of Life" Series Exhibitions
Preface
The "Trace of Life" series are exhibitions of butterfly transformation of Mr FENG Xiangcheng's artistic creation. As an overseas artist, he has obtained a vision different from that of domestic artists and found the cultural characteristics of different regions. He recorded those different symbols with colors and lines, and felt the changes of painting brought by the spirit of all creations. He shocked the picture with natural nutrition. After a long-term exploration, he found his abstract art.
Abstract art is a kind of philosophy. What is this philosophy? In fact, it is very simple. Our ancestors have already summed up the great philosophical thought of the theory of Yin-Yang and Five Elements: The limitless(Wuji) produces the delimited. The five elements and colors in the five elements mutually reinforce and neutralize each other to achieve the balance of colors in the limitless world and give people a kind of enjoyment of beauty. Throughout many excellent artists domestic and abroad, none of them is not the best practitioner of this theory. Mr FENG Xiangcheng is also an excellent practitioner of this theory among young artists today.
The "Trace of Life" applies the idea of Chinese Taoism that "water“ produces everything and is the foundation of life, that is, the theory of "action through inaction", which uses symbolic colors to express all things in the world and reveals the origin of life. This feeling only exists in the artist's heart, and shows the development of trace of life with things that ordinary people can't see. It brings people the enjoyment of beauty and the feeling of deja vu. It has surpassed realism and reached a higher level in the art world.
During a time when the contemporary abstract art system in Europe and the United States has influenced the ways and ideas of contemporary Chinese art creation, "Trace of Life" embodies the characteristics of western contemporary times, but it is more integrated with many Chinese elements and forms a unique artistic style with Chinese color symbols. Therefore, it has the value of collection all over the world.
Finally, I sincerely hope that Mr FENG Xiangcheng will create better works in his future artistic career. I wish the series of "Trace of life" exhibition in Suzhou a complete success.
HU Yinxia(Chairman)
Australian Multicultural Business Council
自述
关于《生命之痕》抽象作品阐述
生命无处不在和痕迹无处不留，艺术家在于发现这些生命的迹象，并通过绘画还原那些看到的和想到的痕迹，不断体会那些生命涌动的过程和存在的意义。
本次展览，内容非常整一，基本算一个时间段的作品，这里我从三个方面来解释这些作品的创作思路和动力来源。
一，从自然中挖掘灵感让作品同生命同在
用内心的观察去体悟自然性及万物的变化，我游走于世界各地，穿梭于森林、海洋、城市之中，不断用心去记忆那些可以撞击我内心的形和色，它们和我的期望同步，同我的生命同步，同我心灵感应同步，在不断的感受和记忆中获得动力和能量，这是自然给我们的力量和驱动，我不能忘却。
二，运用绘画技术性实现艺术的精神价值
一个从事现代艺术的工作者，无非在于用我们所学的知识和手段完成这一传递精神的使命，用自我艺术的图式去平衡那些感受，用高超的响亮的语言反应那种激情和状态，绘画性本身没有存在的意义，而更重要的功能是你通过那些绘画材料和线条述说了一种自我的精神性和独特品格，所以实则虚之，虚则实之，无法而有法，终得心源。
三，实现艺术创作的自由状态和自然同一性
自由的艺术创作是反复磨炼的结果，我同自然起舞，自然而然，挥洒自如，寻找那种天人合一，终觉其中的感觉，作品成为我突破的状态和过程，我不断破坏和重置，让我的艺术同自然一样具有生命力的顽强精神。当然这是一种艺术的高度，是能力的极致。每一次的成功都是一次毁灭的重生，我抛弃那些束缚的思想和学术规定，在画布上大行其道，多次的偶然性促成作品成功的必然。
每个艺术家都或多或少的具备自我作画的理论，当然我也不例外，每次的作品都需要集结半年到一年时间的内心沉淀，然后择时爆发，我很希望出现在画面的那些痕迹，能真正触动观者对生命情结的冥想与艺术共舞。
冯相成
2020/6/12
写在中国巡展之前
Self-Statem
About the Abstract Artworks of "Trace of Life"
Life is everywhere and traces are left everywhere. The artist is to find the signs of life, restore the traces of seeing and thinking by painting, and constantly experience the process of life surging and the significance of existence.
The content of this exhibition is very integrated. It is basically the artworks of one period. Here I will explain the creative ideas and power sources of these works from three aspects.
1. Excavate inspiration from nature and let works live with life
Observing by heart and experience the changes of nature and everything, I travel around the world, shuttling through forests, oceans and cities, and constantly memorize the shapes and colors that can impact my heart. They are synchronized with my expectations, with my life, with my telepathy, and gain power and energy from constant feelings and memories. This is the power and drive what nature gives us. I can't forget.
2. Use the technique of painting to achieve the spiritual value of art
A worker engaged in modern art is nothing more than to complete the mission of transmitting spirit with the knowledge and means we have learned, to balance those feelings with self art schema, to reflect that passion and state with superb and loud language. The painterliness itself has no significance, but the more important function is that you describe a kind of spirituality and unique character of oneself by the painting materials and lines, so reality is emptiness, emptiness is reality, using no way as way, finally one has the origin of heart.
3. Achieve the free state and natural identity of artistic creation
Free artistic creation is the result of repeated tempering. I danced with nature, naturally and freely, looking for the feeling of the unity of man and nature and finally had the feeling. The work become the state and process of my breakthrough. I constantly destroyed and reset, making my art with strong spirit of life force as the nature. Of course, this was the height of art and the extreme of ability. Every success was a rebirth of destruction. I abandoned those restrained ideas and academic regulations, and painted freely on the canvas. Many occasionalities contributed to the inevitability of the success of my works.
Every artist has more or less the theory of self painting. Of course, I am no exception. Everytime I needed to gather half till a year's inner precipitation for my works, and then burst out at the right time. I hope deeply those traces in the paintings can really touch the viewer's meditation of life complex and dance with art.
FENG Xiangcheng
2020 / 6 / 12
Before China Tour Exhibition
部分参展作品赏析
Appreciation of part of the artworks
布面油画丙烯 Oil and Acrylic on Canvas 40x50cm2 019
布面油画丙烯 Oil and Acrylic on Canvas 40x50cm 2019
布面油画丙烯 Oil and Acrylic on Canvas 45x45cm 2020
布面油画丙烯 Oil and Acrylic on Canvas 45x45cm 2020
布面油画丙烯 Oil and Acrylic on Canvas 100x80cm 2020
布面油画丙烯 Oil and Acrylic on Canvas 68x46cm 2020
布面油画丙烯 Oil and Acrylic on Canvas 40x50cm 2020
布面油画丙烯 Oil and Acrylic on Canvas 50x40cm 2020
布面油画丙烯 Oil and Acrylic on Canvas 40x50cm 2020
布面油画丙烯 Oil and Acrylic on Canvas 45x90cm 2020
布面油画丙烯 Oil and Acrylic on Canvas 68x46cm 2020
布面油画丙烯 Oil and Acrylic on Canvas 46x68cm 2020
